Katharina Uhde is Assistant Professor for Violin and Musicology at Valparaiso University. She holds a DMA from the University of Michigan and a PhD in Musicology from Duke University, where she wrote a dissertation on Joseph Joachim’s compositions. Uhde’s first article appeared in December 2015, titled “Of ‘Psychological Music’, Ciphers, and Daguerreotypes: Joseph Joachim’s Abendglocken Op. 5 No. 2 (1853).” Currently she is working on a monograph on Joseph Joachim, The Music of Joseph Joachim (submission deadline February 2017), which is under contract with Boydell & Brewer. Uhde is the recipient of a 2016 long-term fellowship at the Newberry Library, the Richard Wagner Stipendium (2013), and the American Brahms Society Geiringer Award (2013). As soloist and chamber musician she has won first and second place prizes in international competitions in Prague, Germany, and the Netherlands. She is currently engaged in a recording of the Beethoven Sonatas with R. Larry Todd.
The Joseph Joachim at 185 conference is supported in part by a generous grant from the
University of New Hampshire Center for the Humanities
Burt Feintuch, director
We are grateful for additional financial and practical support from the
Ryan C. McClelland, President
the
Christoph Mücher, Director
the Federal Republic of Germany through the German Academic Exchange Service
Dr. Nina Lemmens, Director DAAD North America
and Michael Thomanek, Senior Program Officer
and from
Magazin für Klassische Musik und Musikwissenschaft
Geschäftsstellenleiter: Mathias Brösicke
[…] Styra Avins George Bozarth David Brodbeck William Horne Ruprecht Kamlah Karen Leistra-Jones Marie Sumner Lott Michael Musgrave Neal Peres da Costa Katharina Uhde […]
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[…] 2:10 Katharina Uhde (Valparaiso University), “‘Soulfulness’ and ‘Individuality’ in Joachim’s Violin Concerto in G Major” […]
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